Every day I go to work to play. What am I?

I’m a theatre director for Patch Theatre Company in Adelaide, Australia. We create and produce theatre for 4-8 year olds. It’s a good as any job I can imagine.

I’ve had the pleasure of seeing Patch Theatre productions enjoyed by hundreds of thousands of children in places like Japan, Korea, Singapore, USA, New Zealand, Canada and all over Australia and I’m amazed at how universal children’s responses are to our shows.  If ever anyone questions me on the future of theatre, I invite them to sit in an audience of 4-8 year olds and be amazed! Children respond to good theatre experiences with such immediacy, joy and exuberance, you can’t doubt its power and impact.

Verbatim theatre is a modern form of documentary theatre in which the playwright uses the real words of interviewees to construct a play. Like its theatrical forebears, such as the 'Living Newspapers' produced by the Federal Theatre Project in the US in the 1930s, it is often associated with coverage of current events and controversial political issues. Black Watch, by Gregory Burke, portrayed British soldiers in Iraq in their own words, while David Hare's The Permanent Way documented the privatization of the UK railways.

But what about using verbatim theatre as a form to capture the lives of young people in their own words? David Megarrity is doing just that with students at the Queensland University of Technology, developing a play around the theme of ‘love,  adrenaline and transitions’.